【单选题】 Both the United States silver dollar and half-dollar, first minted in 1794, had a figure of Liberty on one side and a eagle on the reverse side.
【单选题】origins oF jAzz musiC
thE musiCAl phEnomEnon known As jAzz DEvElopED in thE yEArs just prior to 1900, mAinly in thE City oF nEw orlEAns AnD to A lEssEr ExtEnt in othEr lArgEAmEriCAn CitiEs. thE roots oF this quintEssEntiAllyAmEriCAn musiC ArE vAriED AnD ComplEx, But sEvErAl mAin strAnDs oF CulturE AnD musiCAl trADition CAn BE thought oF As prECursors whiCh EvEntuAlly CulminAtED in A rECognizABlE musiCAl gEnrE.
it is proBABlE thAt BlACkAFriCAns who wErE Brought to thE nEw worlD to work As slAvEs on plAntAtions CArriED with thEm An ABility to improvisE in musiC, in othEr worDs, to spontAnEously vAry inDiviDuAl pArts in A musiCAl pErFormAnCE.
whilE working As slAvEs on plAntAtions AnD lAtEr As FrEE hAnDs in work plACEs, BlACks usED work songs with A DEgrEE oF improvisAtion, rECAlling thEirAFriCAn hEritAgE, As A rhythm to EAsE thE pAin oF hArD mAnuAl lABor.
thEsE songs inCluDED spirituAls, thAt is, rEligious songs ExprEssing thE hArD ConDition oF BEing slAvEs, AnD FiElD hollErs, whiCh wErE A Form oF CommuniCAtion BEtwEEn FiElD hAnDs.
thE proBlEms FACED By thE nEwly FrEED slAvEs Also BECAmE mAtEriAl For A stylE oF singing whiCh originAtED in moAning AnD lAmEntAtions ABout thE DiFFiCultiEs oF liFE.At First thEsE improvisAtions wErE not ACCompAniED By instrumEnts, But lAtEr, trAvEling musiCiAns with guitArs or BAnjos CrEAtED sounDs with soAring AnD sliDing pitCh.
EvEntuAlly A pAttErn oF musiC EmErgED whiCh wAs rEFErrED to As thE BluEs, An importAnt ComponEnt oF EArly jAzz Forms.
AnothEr importAnt ingrEDiEnt in thE FormAtion oF jAzz is whAt BECAmE known As rAgtimE, A musiCAl Form thAt FlourishED From ABout 1890 until thE stArt oF worlD wAr i, in whiCh thE mEloDy oF A tunE wAs synCopAtED ovEr thE BAss linE AnD gAvE A rAggED FEEl. rAgtimE EvEntuAlly BECAmE FormAlizED AnD writtEn, But thE stylE oF thE rAgtimE tunEs wAs inFluEntiAl in Forming thE EArly DirECtion oF jAzz musiC、
musiCologists hAvE pointED out thAt nEw orlEAns BECAmE thE FoCAl point oF EArly jAzz pErFormAnCE BECAusE BrAss instrumEnts usED By militiA BAnDs During thECivil wAr AnD By town BAnDs For EntErtAinmEnt BEgAn to FinD thEir wAy into sEConDhAnD storEs AnD pAwn shops in nEw orlEAns. this EnABlED poorEr pEoplE to oBtAin instrumEnts ChEAply. thE DEmAnD For livE musiC wAs so grEAt thAt mAny oF thEsE AmAtEurs, whosE mAstEry oF thEsE ChEAply Bought instrumEnts wAs oFtEn inComplEtE, wErE CAllED on to pErForm, thEir unpolishED stylE mAy hAvE BEEn An importAnt ingrEDiEnt oF thE spontAnEous AnD unorthoDox sounD typiCAl oF EArly jAzz.
ACCorDing to lEn wEinstoCk, A historiAn oF jAzz, AnothEr rEAson why nEw orlEAns BECAmE A CEntEr oF this musiCAl stylE wAs thE ExistEnCE within thE City’s populAtion oF A lArgE group oF FrEnCh AnD spAnish sEttlErs who prEsErvED thEir ChArACtEristiC spEECh AnD CulturE. through intErmArriAgE withAFriCAnAmEriCAns, A suBCulturE oF DEsCEnDAnts DEvElopED, thECrEolEs. sinCE thECrEolEs in nEw orlEAns hAD not BEEn EnslAvED, mAny oF thEm BECAmE DistinguishED in thE EConomiC AnD CulturAl liFE oF thE FrEnCh sECtion oF thE City.CrEolEs hAD thEir own musiCAl rEsourCEs inFluEnCED By FrEnCh or spAnish ColoniAl trADitions, But somE wErE Also FormAlly trAinED in thEEuropEAn ClAssiCAl trADition AnD lEArnED thE prECisE tEChniquEs AnD tonAl sophistiCAtion nECEssAry to plAy in ChAmBEr EnsEmBlEs AnD EvEn At thE opErA housE. howEvEr, in 1894,CrEolEs living in nEw orlEAns wErE ForCED By A rACiAl sEgrEgAtion lAw to movE to thE ArEA oF thE City inhABitED By thE poor, lArgEly unEDuCAtED BlACk populAtion whosE musiCAl trADition wAs typiCAlly ChArACtErizED By mEmorizAtion An
thE musiCAl phEnomEnon known As jAzz DEvElopED in thE yEArs just prior to 1900, mAinly in thE City oF nEw orlEAns AnD to A lEssEr ExtEnt in othEr lArgEAmEriCAn CitiEs. thE roots oF this quintEssEntiAllyAmEriCAn musiC ArE vAriED AnD ComplEx, But sEvErAl mAin strAnDs oF CulturE AnD musiCAl trADition CAn BE thought oF As prECursors whiCh EvEntuAlly CulminAtED in A rECognizABlE musiCAl gEnrE.
it is proBABlE thAt BlACkAFriCAns who wErE Brought to thE nEw worlD to work As slAvEs on plAntAtions CArriED with thEm An ABility to improvisE in musiC, in othEr worDs, to spontAnEously vAry inDiviDuAl pArts in A musiCAl pErFormAnCE.
AnothEr importAnt ingrEDiEnt in thE FormAtion oF jAzz is whAt BECAmE known As rAgtimE, A musiCAl Form thAt FlourishED From ABout 1890 until thE stArt oF worlD wAr i, in whiCh thE mEloDy oF A tunE wAs synCopAtED ovEr thE BAss linE AnD gAvE A rAggED FEEl. rAgtimE EvEntuAlly BECAmE FormAlizED AnD writtEn, But thE stylE oF thE rAgtimE tunEs wAs inFluEntiAl in Forming thE EArly DirECtion oF jAzz musiC、
musiCologists hAvE pointED out thAt nEw orlEAns BECAmE thE FoCAl point oF EArly jAzz pErFormAnCE BECAusE BrAss instrumEnts usED By militiA BAnDs During thECivil wAr AnD By town BAnDs For EntErtAinmEnt BEgAn to FinD thEir wAy into sEConDhAnD storEs AnD pAwn shops in nEw orlEAns. this EnABlED poorEr pEoplE to oBtAin instrumEnts ChEAply. thE DEmAnD For livE musiC wAs so grEAt thAt mAny oF thEsE AmAtEurs, whosE mAstEry oF thEsE ChEAply Bought instrumEnts wAs oFtEn inComplEtE, wErE CAllED on to pErForm, thEir unpolishED stylE mAy hAvE BEEn An importAnt ingrEDiEnt oF thE spontAnEous AnD unorthoDox sounD typiCAl oF EArly jAzz.
ACCorDing to lEn wEinstoCk, A historiAn oF jAzz, AnothEr rEAson why nEw orlEAns BECAmE A CEntEr oF this musiCAl stylE wAs thE ExistEnCE within thE City’s populAtion oF A lArgE group oF FrEnCh AnD spAnish sEttlErs who prEsErvED thEir ChArACtEristiC spEECh AnD CulturE. through intErmArriAgE withAFriCAnAmEriCAns, A suBCulturE oF DEsCEnDAnts DEvElopED, thECrEolEs. sinCE thECrEolEs in nEw orlEAns hAD not BEEn EnslAvED, mAny oF thEm BECAmE DistinguishED in thE EConomiC AnD CulturAl liFE oF thE FrEnCh sECtion oF thE City.CrEolEs hAD thEir own musiCAl rEsourCEs inFluEnCED By FrEnCh or spAnish ColoniAl trADitions, But somE wErE Also FormAlly trAinED in thEEuropEAn ClAssiCAl trADition AnD lEArnED thE prECisE tEChniquEs AnD tonAl sophistiCAtion nECEssAry to plAy in ChAmBEr EnsEmBlEs AnD EvEn At thE opErA housE. howEvEr, in 1894,CrEolEs living in nEw orlEAns wErE ForCED By A rACiAl sEgrEgAtion lAw to movE to thE ArEA oF thE City inhABitED By thE poor, lArgEly unEDuCAtED BlACk populAtion whosE musiCAl trADition wAs typiCAlly ChArACtErizED By mEmorizAtion An
【单选题】Country musiC
A、CommErCiAl oFFshoot oF thE Folk musiC oF thE rurAl south, Country musiC is AnAmEriCAn Art Form thAt gAinED worlDwiDE AppEAl AFtEr worlD wAr ⅱ. originAlly known As hillBilly or mountAin musiC, Country musiC grEw From thE Folk musiC thAt wAs Brought to northAmEriCA ByAnglo-CEltiC sEttlErs in thE 1700s AnD 1800s. thE musiC ChAngED As it CAmE in ContACt with EthniC musiC--ACADiAnCAjun) in louisiAnA, lAtin in thE southwEst,AFriCAn throughout muCh oF thE south--AnD suCh populAr musiC As thAt FounD in vAuDEvillE, minstrEl shows, AnD hAwAiiAn tEnt shows. it wAs Also CAllED Country AnD wEstErn musiC BECAusE oF its populArity with CowBoys.
trADitionAlly Country musiCiAns hAvE BEEn most proFiCiEnt on stringED instrumEnts. thE violin, or FiDDlE, wAs thE most populAr instrumEnt on thE FrontiEr BECAusE oF its EAsy portABility. to this DAy FiDDlE ContEsts rEmAin A FEAturE oF thE Country musiC sCEnE. thE BAnjo wAs ADAptED From thEAFriCAnAmEriCAn CulturE, AnD thE FivE-siring moDEl is now univErsAlly populAr Among pErFormErs oF thE stylE known As BluEgrAss. thE guitAr hAs long BEEn A stAplE oF Country musiC BAnDs AnD singErs. string BAss AnD hAwAiiAn guitAr hAvE BEEn usED sinCE thE 1920s, AnD thEir moDErn DEsCEnDAnts ArE thE ElECtriC BAss AnD thE pEDAl stEEl guitAr.Drums, piAnos, AnD ElECtriFiED instrumEnts, usED As EArly As thE 1930s By wEstErn swing BAnDs, ArE hEArD on Country rECorDings From thE 1950s.
in 1922 rADio stAtions wBAp in Fort worth, tEx. , AnD wsB、inAtlAntA, gA、, BroADCAst shows CAllED BArn DAnCEs, moDElED AFtEr thE inFormAl soCiAl DAnCing oF thE FrontiEr.ChiCAgo’s wls stArtED whAt BECAmE thE nAtionAlBArnDAnCE in 1924, AnD wsm in nAshvillE, tEnn., BEgAn itsBArnDAnCE in novEmBEr 1925, just onE month AFtEr going on thE Air. rECorD CompAniEs Also DisCovErED thE CommErCiAl possiBilitiEs oF this musiC、FiDDlErECkA、C、) roBErtson trAvElED to nEw yorkCity AnD in 1922 mADE thE First hillBilly rECorDs, "ArkAnsAs trAvElEr" AnD "sAlliE gooDin". thE gEorgiA FiDDlEr johnCArson hAD thE First sAlEs suCCEss thE nExt yEAr with his okEh rECorD oF "littlE olD logCABin in thE lAnE".A、tExAs nAtivE who ACtuAlly hAD voiCE trAining AnD light opErA ExpEriEnCE, vErnonDAlhArt (his rEAl nAmE wAs mArion slAughtEr) solD millions oF rECorDs in thE 1920s For DozEns oF DiFFErEnt CompAniEs. his First Big sEllErs wErE "thE prisonEr’s song" AnD "thE wrECk oF thE olD 97" For viCtor in 1924. in 1927 jimmiE roDgErs, originAlly A yoDElEr, mADE his First rECorDings.BECAusE roDgErs, viCtor rECorDs inspirED numErous mEn to BEComE Country EntErtAinErs, hE BECAmE known As thE FAthEr oFCountry musiC、
hollywooD’s singing CowBoys won For Country musiC nAtionAl AnD intErnAtionAl AuDiEnCEs During thE lAtEr 1930s.EvEn though rECorD sAlEs For Country AnD othEr typEs oF musiC slippED During thE grEAtDEprEssion, rADio ContinuED to BroADCAst A lArgE ArrAy oF livE Country musiC tAlEnt, usuAlly in thE EArly morning, noon, or lAtE night hours. nEw BArn DAnCEs wErE hEArD on thE AirwAvEs, AnD two oF thE loCAl shows gAinED nEtwork rADio AuDiEnCEs During thE 1930s.
worlD wAr ⅱ ACCElErAtED Country musiC’s growth AwAy From An ExClusivEly southErn AnD rurAl phEnomEnon. southErn sErviCEmEn took thE musiC with thEm to FAr-Flung pArts oF thE nAtion AnD thE worlD, whilE CiviliAn DEFEnsE workErs From thE south Brought thEir lovE oF thE musiC into thE vArious CEntErs oF wAr proDuCtion.
thE postwAr yEArs Brought A nEwFounD nAtionAl prospErity, whiCh BoostED Country musiC to grEAtEr CommErCiAl hEights. singErs AnD BusinEss ExECutivEs ClosEly tiED to thE musiC sought AnD won A nEw rEspECtABility From trADE pApErs AnD nAtionAl mEDiA、thE olD tErms hillBilly AnD mountAin wErE rEplACED By Country, AnD EvEn For A timE By Country AnD wEstErn, in rECognition oF thE nEw populArity oF thE CowBoy singErs on tElEvision.
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A、CommErCiAl oFFshoot oF thE Folk musiC oF thE rurAl south, Country musiC is AnAmEriCAn Art Form thAt gAinED worlDwiDE AppEAl AFtEr worlD wAr ⅱ. originAlly known As hillBilly or mountAin musiC, Country musiC grEw From thE Folk musiC thAt wAs Brought to northAmEriCA ByAnglo-CEltiC sEttlErs in thE 1700s AnD 1800s. thE musiC ChAngED As it CAmE in ContACt with EthniC musiC--ACADiAnCAjun) in louisiAnA, lAtin in thE southwEst,AFriCAn throughout muCh oF thE south--AnD suCh populAr musiC As thAt FounD in vAuDEvillE, minstrEl shows, AnD hAwAiiAn tEnt shows. it wAs Also CAllED Country AnD wEstErn musiC BECAusE oF its populArity with CowBoys.
trADitionAlly Country musiCiAns hAvE BEEn most proFiCiEnt on stringED instrumEnts. thE violin, or FiDDlE, wAs thE most populAr instrumEnt on thE FrontiEr BECAusE oF its EAsy portABility. to this DAy FiDDlE ContEsts rEmAin A FEAturE oF thE Country musiC sCEnE. thE BAnjo wAs ADAptED From thEAFriCAnAmEriCAn CulturE, AnD thE FivE-siring moDEl is now univErsAlly populAr Among pErFormErs oF thE stylE known As BluEgrAss. thE guitAr hAs long BEEn A stAplE oF Country musiC BAnDs AnD singErs. string BAss AnD hAwAiiAn guitAr hAvE BEEn usED sinCE thE 1920s, AnD thEir moDErn DEsCEnDAnts ArE thE ElECtriC BAss AnD thE pEDAl stEEl guitAr.Drums, piAnos, AnD ElECtriFiED instrumEnts, usED As EArly As thE 1930s By wEstErn swing BAnDs, ArE hEArD on Country rECorDings From thE 1950s.
in 1922 rADio stAtions wBAp in Fort worth, tEx. , AnD wsB、inAtlAntA, gA、, BroADCAst shows CAllED BArn DAnCEs, moDElED AFtEr thE inFormAl soCiAl DAnCing oF thE FrontiEr.ChiCAgo’s wls stArtED whAt BECAmE thE nAtionAlBArnDAnCE in 1924, AnD wsm in nAshvillE, tEnn., BEgAn itsBArnDAnCE in novEmBEr 1925, just onE month AFtEr going on thE Air. rECorD CompAniEs Also DisCovErED thE CommErCiAl possiBilitiEs oF this musiC、FiDDlErECkA、C、) roBErtson trAvElED to nEw yorkCity AnD in 1922 mADE thE First hillBilly rECorDs, "ArkAnsAs trAvElEr" AnD "sAlliE gooDin". thE gEorgiA FiDDlEr johnCArson hAD thE First sAlEs suCCEss thE nExt yEAr with his okEh rECorD oF "littlE olD logCABin in thE lAnE".A、tExAs nAtivE who ACtuAlly hAD voiCE trAining AnD light opErA ExpEriEnCE, vErnonDAlhArt (his rEAl nAmE wAs mArion slAughtEr) solD millions oF rECorDs in thE 1920s For DozEns oF DiFFErEnt CompAniEs. his First Big sEllErs wErE "thE prisonEr’s song" AnD "thE wrECk oF thE olD 97" For viCtor in 1924. in 1927 jimmiE roDgErs, originAlly A yoDElEr, mADE his First rECorDings.BECAusE roDgErs, viCtor rECorDs inspirED numErous mEn to BEComE Country EntErtAinErs, hE BECAmE known As thE FAthEr oFCountry musiC、
hollywooD’s singing CowBoys won For Country musiC nAtionAl AnD intErnAtionAl AuDiEnCEs During thE lAtEr 1930s.EvEn though rECorD sAlEs For Country AnD othEr typEs oF musiC slippED During thE grEAtDEprEssion, rADio ContinuED to BroADCAst A lArgE ArrAy oF livE Country musiC tAlEnt, usuAlly in thE EArly morning, noon, or lAtE night hours. nEw BArn DAnCEs wErE hEArD on thE AirwAvEs, AnD two oF thE loCAl shows gAinED nEtwork rADio AuDiEnCEs During thE 1930s.
worlD wAr ⅱ ACCElErAtED Country musiC’s growth AwAy From An ExClusivEly southErn AnD rurAl phEnomEnon. southErn sErviCEmEn took thE musiC with thEm to FAr-Flung pArts oF thE nAtion AnD thE worlD, whilE CiviliAn DEFEnsE workErs From thE south Brought thEir lovE oF thE musiC into thE vArious CEntErs oF wAr proDuCtion.
thE postwAr yEArs Brought A nEwFounD nAtionAl prospErity, whiCh BoostED Country musiC to grEAtEr CommErCiAl hEights. singErs AnD BusinEss ExECutivEs ClosEly tiED to thE musiC sought AnD won A nEw rEspECtABility From trADE pApErs AnD nAtionAl mEDiA、thE olD tErms hillBilly AnD mountAin wErE rEplACED By Country, AnD EvEn For A timE By Country AnD wEstErn, in rECognition oF thE nEw populArity oF thE CowBoy singErs on tElEvision.
【多选题】 The heart, a rhythmically contracting muscle, is------- of the cardiovascular system.
A.the major organ
B.the organ is major
C.the organ that is major
D. how the major organ
A.the major organ
B.the organ is major
C.the organ that is major
D. how the major organ
【单选题】 Humans, ________, interact through communicative behavior by means of signs or symbols used conventionally.
A.like other animals
B.how other animals
C.other animals that
D.do other animals
A.like other animals
B.how other animals
C.other animals that
D.do other animals
【单选题】 It was novelist and poet ....... in 1968 founded Jackson State University's institute for the Study of the History, Life, and Culture of Black People.
A.( Margaret Walker did
B.( Margaret Walker
C.( Margaret Walker who
D.( Margaret Walker and
A.( Margaret Walker did
B.( Margaret Walker
C.( Margaret Walker who
D.( Margaret Walker and
【单选题】 In the (initial planning) for theaters, auditoriums, (but) any room (intended) primarily for listening, acoustics is a (major consideration).
A.initial planning
B.but
C.intended
D.major consideration
A.initial planning
B.but
C.intended
D.major consideration
【单选题】 Basalt, (which )composes (most) of the ocean (floor), is a dark-grey rock (rich )in iron and magnesium than most surface rocks.
A.which
B.most
C.floor
D.rich
A.which
B.most
C.floor
D.rich
【单选题】Listening 4 "Professor’s Office"
{$mediaurl} What advice does the professor give the woman
A、Have some friends read the research
B、Refer to the explanation in the textbook
C、Ask a chemistry major to help her
D、Include more references in the report
{$mediaurl} What advice does the professor give the woman
A、Have some friends read the research
B、Refer to the explanation in the textbook
C、Ask a chemistry major to help her
D、Include more references in the report
【单选题】 La police a généralement une mauvaise faon de _____l'accusé.
A.interroger
B. demander
C.exiger
D.délier
A.interroger
B. demander
C.exiger
D.délier
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