【单选题】sAn FrAnCisCo: itsContEmporAry issuEs
FAmous For its BEAutiFul sEtting, sAn FrAnCisCo is Built on A sEriEs oF stEEp hills loCAtED on thE northErn tip oF A pEninsulA At thE EntrAnCE to sAn FrAnCisCoBAy. thE BAy AnD its ExtEnsions, whiCh inCluDE sAn pABloBAy AnD suisunBAy, ConstitutE onE oF thE grEAt nAturAl hArBors oF thE worlD, EmBrACing nEArly 1,200 sq km (morE thAn 450 sq mi) oF wAtEr.BECAusE oF this, sAn FrAnCisCo wAs onCE thE mAjor pACiFiCCoAst sEAport oF thE unitED stAtEs. toDAy thE City is An importAnt CEntEr For FinAnCE, tEChnology, tourism, AnD CulturE. thE City wAs nAmED AFtEr sAn FrAnCisCoBAy, whiCh in turn wAs nAmED For sAint FrAnCis oFAssisi By EArly spAnish ExplorErs.
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thE pEoplE oF sAn FrAnCisCo CAn tAkE priDE in thEir City’s ACComplishmEnts.
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sAn FrAnCisCAns, AnD in somE CAsEs thEir CountErpArts in thEBAyArEA, hAvE suCCEssFully unDErtAkEn mAmmoth ConstruCtion projECts suCh As thE sAn FrAnCisCo-oAklAnDBAyBriDgE, thE golDEn gAtEBriDgE, AnD thEBAyArEA rApiD trAnsit systEm.
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sinCE At lEAst thE 1950s, sAn FrAnCisCAns hAvE Also EArnED A rEputAtion For tolErAnCE oF AnD rEspECt For DivErsity.
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During thE lAtE 1990s thE grEAtEst proBlEm in sAn FrAnCisCo’s inFrAstruCturE wAs thE muniCipAl rAilwAy. proportionAtEly morE sAn FrAnCisCAns rEly on puBliC trAnsportAtion thAn Do thE pEoplE in Any othErCAliForniA City, But riDErs ComplAinED oF sErious DElAys AnD ovErCrowDing. somE improvEmEnts wErE unDErwAy By 1999, AnD in thAt yEAr City votErs Also ApprovED mAjor ChAngEs in thE orgAnizAtionAl struCturE oF thE City’s trAnsportAtion DEpArtmEnts.
thE most sErious soCiAl proBlEms FACing thE City ArE not uniquE to sAn FrAnCisCo, But somE hAvE tAkEn on grEAtEr DimEnsions in thE City thAn thEy hAvE ElsEwhErE. onE suCh proBlEm is homElEssnEss.During thE ADministrAtion oF mAyorArtAgnos From 1988 to 1992, thE plAzA in Front oF City hAll BECAmE An EnCAmpmEnt For homElEss pEoplE, rEnDEring othEr usE impossiBlE AnD rAising puBliC hEAlth ConCErns.Agnos’s politiCAl opponEnts DuBBED it "CAmpAgnos" AnD thE situAtion ContriButED toAgnos’s DEFEAt in 1991. thE proBlEm oF homElEssnEss pErsists DEspitE thE EFForts oF City AgEnCiEs AnD privAtE ChAritiEs to proviDE shEltEr, hEAlth CArE, AnD Drug, AlCohol, AnD mEntAl hEAlth trEAtmEnt. in thE miD AnD lAtE 1990s mAyors FrAnk jorDAn AnD williEBrown Both sought to DisCourAgE homElEss pEoplE From living in puBliC spACE in thE Downtown ArEA AnD, inBrown’s CAsE, in golDEn gAtE pArk. howEvEr, rEsiDEnts oF othEr ArEAs ComplAinED thAt BECAusE oF thEsE projECts, thE DisplACED homElEss hAD movED into thEir nEighBorhooDs.
in othEr ArEAs thE City hAs mADE somE progrEss towArD ADDrEssing soCiAl proBlEms.As wAs truE ACross muCh oF thE nAtion, thE CrimE rAtE in sAn FrAnCisCo DroppED in thE 1990s, As DiD thE rAtE oF Drug-rElAtED violEnCE. in ADDition, somE puBliC homing projECts in sAn FrAnCisCo thAt wErE EspECiAlly pronE to violEnCE AnD Drug-rElAtED ACtivity wErE rAzED AnD rEBuilt with DEsigns ConsiDErED lEss likEly to EnCourAgE thosE ACtivitiEs. othEr puBliC homing projECts rECEivED stEppED up sECurity pAtrols.
somE soCiAl CritiCs hAvE pointED to An inCrEAsing EConomiC AnD soCiAl polArizAtion oF sAn FrAnCisCo’s populAtion. thosE who work in FinAnCE or high-tECh FiElDs ArE inCrEAsingly AFFluEnt, pushing rEnts AnD homE priCEs to Among thE highEst lEvEls in thE nAtion.At thE sAmE timE, pEoplE who lABor in thE sErviCE sECtor oFtEn work For thE minimum wAgE, CAnnot shArE thE AFFluEnt liFEstylEs ArounD thEm, AnD ArE hArD-prEssED to AFForD rising rEnts. thE DisAppEArAnCE oF mAny unionizED joBs in mAnuFACturing AnD
FAmous For its BEAutiFul sEtting, sAn FrAnCisCo is Built on A sEriEs oF stEEp hills loCAtED on thE northErn tip oF A pEninsulA At thE EntrAnCE to sAn FrAnCisCoBAy. thE BAy AnD its ExtEnsions, whiCh inCluDE sAn pABloBAy AnD suisunBAy, ConstitutE onE oF thE grEAt nAturAl hArBors oF thE worlD, EmBrACing nEArly 1,200 sq km (morE thAn 450 sq mi) oF wAtEr.BECAusE oF this, sAn FrAnCisCo wAs onCE thE mAjor pACiFiCCoAst sEAport oF thE unitED stAtEs. toDAy thE City is An importAnt CEntEr For FinAnCE, tEChnology, tourism, AnD CulturE. thE City wAs nAmED AFtEr sAn FrAnCisCoBAy, whiCh in turn wAs nAmED For sAint FrAnCis oFAssisi By EArly spAnish ExplorErs.
During thE lAtE 1990s thE grEAtEst proBlEm in sAn FrAnCisCo’s inFrAstruCturE wAs thE muniCipAl rAilwAy. proportionAtEly morE sAn FrAnCisCAns rEly on puBliC trAnsportAtion thAn Do thE pEoplE in Any othErCAliForniA City, But riDErs ComplAinED oF sErious DElAys AnD ovErCrowDing. somE improvEmEnts wErE unDErwAy By 1999, AnD in thAt yEAr City votErs Also ApprovED mAjor ChAngEs in thE orgAnizAtionAl struCturE oF thE City’s trAnsportAtion DEpArtmEnts.
thE most sErious soCiAl proBlEms FACing thE City ArE not uniquE to sAn FrAnCisCo, But somE hAvE tAkEn on grEAtEr DimEnsions in thE City thAn thEy hAvE ElsEwhErE. onE suCh proBlEm is homElEssnEss.During thE ADministrAtion oF mAyorArtAgnos From 1988 to 1992, thE plAzA in Front oF City hAll BECAmE An EnCAmpmEnt For homElEss pEoplE, rEnDEring othEr usE impossiBlE AnD rAising puBliC hEAlth ConCErns.Agnos’s politiCAl opponEnts DuBBED it "CAmpAgnos" AnD thE situAtion ContriButED toAgnos’s DEFEAt in 1991. thE proBlEm oF homElEssnEss pErsists DEspitE thE EFForts oF City AgEnCiEs AnD privAtE ChAritiEs to proviDE shEltEr, hEAlth CArE, AnD Drug, AlCohol, AnD mEntAl hEAlth trEAtmEnt. in thE miD AnD lAtE 1990s mAyors FrAnk jorDAn AnD williEBrown Both sought to DisCourAgE homElEss pEoplE From living in puBliC spACE in thE Downtown ArEA AnD, inBrown’s CAsE, in golDEn gAtE pArk. howEvEr, rEsiDEnts oF othEr ArEAs ComplAinED thAt BECAusE oF thEsE projECts, thE DisplACED homElEss hAD movED into thEir nEighBorhooDs.
in othEr ArEAs thE City hAs mADE somE progrEss towArD ADDrEssing soCiAl proBlEms.As wAs truE ACross muCh oF thE nAtion, thE CrimE rAtE in sAn FrAnCisCo DroppED in thE 1990s, As DiD thE rAtE oF Drug-rElAtED violEnCE. in ADDition, somE puBliC homing projECts in sAn FrAnCisCo thAt wErE EspECiAlly pronE to violEnCE AnD Drug-rElAtED ACtivity wErE rAzED AnD rEBuilt with DEsigns ConsiDErED lEss likEly to EnCourAgE thosE ACtivitiEs. othEr puBliC homing projECts rECEivED stEppED up sECurity pAtrols.
somE soCiAl CritiCs hAvE pointED to An inCrEAsing EConomiC AnD soCiAl polArizAtion oF sAn FrAnCisCo’s populAtion. thosE who work in FinAnCE or high-tECh FiElDs ArE inCrEAsingly AFFluEnt, pushing rEnts AnD homE priCEs to Among thE highEst lEvEls in thE nAtion.At thE sAmE timE, pEoplE who lABor in thE sErviCE sECtor oFtEn work For thE minimum wAgE, CAnnot shArE thE AFFluEnt liFEstylEs ArounD thEm, AnD ArE hArD-prEssED to AFForD rising rEnts. thE DisAppEArAnCE oF mAny unionizED joBs in mAnuFACturing AnD
【单选题】 Telescope are frequently used in astronomy to collect light from a celestial object, bring the light into focus, and producing a magnified image.
【单选题】origins oF jAzz musiC
thE musiCAl phEnomEnon known As jAzz DEvElopED in thE yEArs just prior to 1900, mAinly in thE City oF nEw orlEAns AnD to A lEssEr ExtEnt in othEr lArgEAmEriCAn CitiEs. thE roots oF this quintEssEntiAllyAmEriCAn musiC ArE vAriED AnD ComplEx, But sEvErAl mAin strAnDs oF CulturE AnD musiCAl trADition CAn BE thought oF As prECursors whiCh EvEntuAlly CulminAtED in A rECognizABlE musiCAl gEnrE.
it is proBABlE thAt BlACkAFriCAns who wErE Brought to thE nEw worlD to work As slAvEs on plAntAtions CArriED with thEm An ABility to improvisE in musiC, in othEr worDs, to spontAnEously vAry inDiviDuAl pArts in A musiCAl pErFormAnCE.
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whilE working As slAvEs on plAntAtions AnD lAtEr As FrEE hAnDs in work plACEs, BlACks usED work songs with A DEgrEE oF improvisAtion, rECAlling thEirAFriCAn hEritAgE, As A rhythm to EAsE thE pAin oF hArD mAnuAl lABor.
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thEsE songs inCluDED spirituAls, thAt is, rEligious songs ExprEssing thE hArD ConDition oF BEing slAvEs, AnD FiElD hollErs, whiCh wErE A Form oF CommuniCAtion BEtwEEn FiElD hAnDs.
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thE proBlEms FACED By thE nEwly FrEED slAvEs Also BECAmE mAtEriAl For A stylE oF singing whiCh originAtED in moAning AnD lAmEntAtions ABout thE DiFFiCultiEs oF liFE.At First thEsE improvisAtions wErE not ACCompAniED By instrumEnts, But lAtEr, trAvEling musiCiAns with guitArs or BAnjos CrEAtED sounDs with soAring AnD sliDing pitCh.
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EvEntuAlly A pAttErn oF musiC EmErgED whiCh wAs rEFErrED to As thE BluEs, An importAnt ComponEnt oF EArly jAzz Forms.
AnothEr importAnt ingrEDiEnt in thE FormAtion oF jAzz is whAt BECAmE known As rAgtimE, A musiCAl Form thAt FlourishED From ABout 1890 until thE stArt oF worlD wAr i, in whiCh thE mEloDy oF A tunE wAs synCopAtED ovEr thE BAss linE AnD gAvE A rAggED FEEl. rAgtimE EvEntuAlly BECAmE FormAlizED AnD writtEn, But thE stylE oF thE rAgtimE tunEs wAs inFluEntiAl in Forming thE EArly DirECtion oF jAzz musiC、
musiCologists hAvE pointED out thAt nEw orlEAns BECAmE thE FoCAl point oF EArly jAzz pErFormAnCE BECAusE BrAss instrumEnts usED By militiA BAnDs During thECivil wAr AnD By town BAnDs For EntErtAinmEnt BEgAn to FinD thEir wAy into sEConDhAnD storEs AnD pAwn shops in nEw orlEAns. this EnABlED poorEr pEoplE to oBtAin instrumEnts ChEAply. thE DEmAnD For livE musiC wAs so grEAt thAt mAny oF thEsE AmAtEurs, whosE mAstEry oF thEsE ChEAply Bought instrumEnts wAs oFtEn inComplEtE, wErE CAllED on to pErForm, thEir unpolishED stylE mAy hAvE BEEn An importAnt ingrEDiEnt oF thE spontAnEous AnD unorthoDox sounD typiCAl oF EArly jAzz.
ACCorDing to lEn wEinstoCk, A historiAn oF jAzz, AnothEr rEAson why nEw orlEAns BECAmE A CEntEr oF this musiCAl stylE wAs thE ExistEnCE within thE City’s populAtion oF A lArgE group oF FrEnCh AnD spAnish sEttlErs who prEsErvED thEir ChArACtEristiC spEECh AnD CulturE. through intErmArriAgE withAFriCAnAmEriCAns, A suBCulturE oF DEsCEnDAnts DEvElopED, thECrEolEs. sinCE thECrEolEs in nEw orlEAns hAD not BEEn EnslAvED, mAny oF thEm BECAmE DistinguishED in thE EConomiC AnD CulturAl liFE oF thE FrEnCh sECtion oF thE City.CrEolEs hAD thEir own musiCAl rEsourCEs inFluEnCED By FrEnCh or spAnish ColoniAl trADitions, But somE wErE Also FormAlly trAinED in thEEuropEAn ClAssiCAl trADition AnD lEArnED thE prECisE tEChniquEs AnD tonAl sophistiCAtion nECEssAry to plAy in ChAmBEr EnsEmBlEs AnD EvEn At thE opErA housE. howEvEr, in 1894,CrEolEs living in nEw orlEAns wErE ForCED By A rACiAl sEgrEgAtion lAw to movE to thE ArEA oF thE City inhABitED By thE poor, lArgEly unEDuCAtED BlACk populAtion whosE musiCAl trADition wAs typiCAlly ChArACtErizED By mEmorizAtion An
thE musiCAl phEnomEnon known As jAzz DEvElopED in thE yEArs just prior to 1900, mAinly in thE City oF nEw orlEAns AnD to A lEssEr ExtEnt in othEr lArgEAmEriCAn CitiEs. thE roots oF this quintEssEntiAllyAmEriCAn musiC ArE vAriED AnD ComplEx, But sEvErAl mAin strAnDs oF CulturE AnD musiCAl trADition CAn BE thought oF As prECursors whiCh EvEntuAlly CulminAtED in A rECognizABlE musiCAl gEnrE.
it is proBABlE thAt BlACkAFriCAns who wErE Brought to thE nEw worlD to work As slAvEs on plAntAtions CArriED with thEm An ABility to improvisE in musiC, in othEr worDs, to spontAnEously vAry inDiviDuAl pArts in A musiCAl pErFormAnCE.
AnothEr importAnt ingrEDiEnt in thE FormAtion oF jAzz is whAt BECAmE known As rAgtimE, A musiCAl Form thAt FlourishED From ABout 1890 until thE stArt oF worlD wAr i, in whiCh thE mEloDy oF A tunE wAs synCopAtED ovEr thE BAss linE AnD gAvE A rAggED FEEl. rAgtimE EvEntuAlly BECAmE FormAlizED AnD writtEn, But thE stylE oF thE rAgtimE tunEs wAs inFluEntiAl in Forming thE EArly DirECtion oF jAzz musiC、
musiCologists hAvE pointED out thAt nEw orlEAns BECAmE thE FoCAl point oF EArly jAzz pErFormAnCE BECAusE BrAss instrumEnts usED By militiA BAnDs During thECivil wAr AnD By town BAnDs For EntErtAinmEnt BEgAn to FinD thEir wAy into sEConDhAnD storEs AnD pAwn shops in nEw orlEAns. this EnABlED poorEr pEoplE to oBtAin instrumEnts ChEAply. thE DEmAnD For livE musiC wAs so grEAt thAt mAny oF thEsE AmAtEurs, whosE mAstEry oF thEsE ChEAply Bought instrumEnts wAs oFtEn inComplEtE, wErE CAllED on to pErForm, thEir unpolishED stylE mAy hAvE BEEn An importAnt ingrEDiEnt oF thE spontAnEous AnD unorthoDox sounD typiCAl oF EArly jAzz.
ACCorDing to lEn wEinstoCk, A historiAn oF jAzz, AnothEr rEAson why nEw orlEAns BECAmE A CEntEr oF this musiCAl stylE wAs thE ExistEnCE within thE City’s populAtion oF A lArgE group oF FrEnCh AnD spAnish sEttlErs who prEsErvED thEir ChArACtEristiC spEECh AnD CulturE. through intErmArriAgE withAFriCAnAmEriCAns, A suBCulturE oF DEsCEnDAnts DEvElopED, thECrEolEs. sinCE thECrEolEs in nEw orlEAns hAD not BEEn EnslAvED, mAny oF thEm BECAmE DistinguishED in thE EConomiC AnD CulturAl liFE oF thE FrEnCh sECtion oF thE City.CrEolEs hAD thEir own musiCAl rEsourCEs inFluEnCED By FrEnCh or spAnish ColoniAl trADitions, But somE wErE Also FormAlly trAinED in thEEuropEAn ClAssiCAl trADition AnD lEArnED thE prECisE tEChniquEs AnD tonAl sophistiCAtion nECEssAry to plAy in ChAmBEr EnsEmBlEs AnD EvEn At thE opErA housE. howEvEr, in 1894,CrEolEs living in nEw orlEAns wErE ForCED By A rACiAl sEgrEgAtion lAw to movE to thE ArEA oF thE City inhABitED By thE poor, lArgEly unEDuCAtED BlACk populAtion whosE musiCAl trADition wAs typiCAlly ChArACtErizED By mEmorizAtion An
【单选题】 The word "prolific" in line '22 is closest in meaning to
A．(efficient
B．(productive
C．(self-employed
D．(progressive
A．(efficient
B．(productive
C．(self-employed
D．(progressive
【单选题】Country musiC
A、CommErCiAl oFFshoot oF thE Folk musiC oF thE rurAl south, Country musiC is AnAmEriCAn Art Form thAt gAinED worlDwiDE AppEAl AFtEr worlD wAr ⅱ. originAlly known As hillBilly or mountAin musiC, Country musiC grEw From thE Folk musiC thAt wAs Brought to northAmEriCA ByAnglo-CEltiC sEttlErs in thE 1700s AnD 1800s. thE musiC ChAngED As it CAmE in ContACt with EthniC musiC--ACADiAnCAjun) in louisiAnA, lAtin in thE southwEst,AFriCAn throughout muCh oF thE south--AnD suCh populAr musiC As thAt FounD in vAuDEvillE, minstrEl shows, AnD hAwAiiAn tEnt shows. it wAs Also CAllED Country AnD wEstErn musiC BECAusE oF its populArity with CowBoys.
trADitionAlly Country musiCiAns hAvE BEEn most proFiCiEnt on stringED instrumEnts. thE violin, or FiDDlE, wAs thE most populAr instrumEnt on thE FrontiEr BECAusE oF its EAsy portABility. to this DAy FiDDlE ContEsts rEmAin A FEAturE oF thE Country musiC sCEnE. thE BAnjo wAs ADAptED From thEAFriCAnAmEriCAn CulturE, AnD thE FivE-siring moDEl is now univErsAlly populAr Among pErFormErs oF thE stylE known As BluEgrAss. thE guitAr hAs long BEEn A stAplE oF Country musiC BAnDs AnD singErs. string BAss AnD hAwAiiAn guitAr hAvE BEEn usED sinCE thE 1920s, AnD thEir moDErn DEsCEnDAnts ArE thE ElECtriC BAss AnD thE pEDAl stEEl guitAr.Drums, piAnos, AnD ElECtriFiED instrumEnts, usED As EArly As thE 1930s By wEstErn swing BAnDs, ArE hEArD on Country rECorDings From thE 1950s.
in 1922 rADio stAtions wBAp in Fort worth, tEx. , AnD wsB、inAtlAntA, gA、, BroADCAst shows CAllED BArn DAnCEs, moDElED AFtEr thE inFormAl soCiAl DAnCing oF thE FrontiEr.ChiCAgo’s wls stArtED whAt BECAmE thE nAtionAlBArnDAnCE in 1924, AnD wsm in nAshvillE, tEnn., BEgAn itsBArnDAnCE in novEmBEr 1925, just onE month AFtEr going on thE Air. rECorD CompAniEs Also DisCovErED thE CommErCiAl possiBilitiEs oF this musiC、FiDDlErECkA、C、) roBErtson trAvElED to nEw yorkCity AnD in 1922 mADE thE First hillBilly rECorDs, "ArkAnsAs trAvElEr" AnD "sAlliE gooDin". thE gEorgiA FiDDlEr johnCArson hAD thE First sAlEs suCCEss thE nExt yEAr with his okEh rECorD oF "littlE olD logCABin in thE lAnE".A、tExAs nAtivE who ACtuAlly hAD voiCE trAining AnD light opErA ExpEriEnCE, vErnonDAlhArt (his rEAl nAmE wAs mArion slAughtEr) solD millions oF rECorDs in thE 1920s For DozEns oF DiFFErEnt CompAniEs. his First Big sEllErs wErE "thE prisonEr’s song" AnD "thE wrECk oF thE olD 97" For viCtor in 1924. in 1927 jimmiE roDgErs, originAlly A yoDElEr, mADE his First rECorDings.BECAusE roDgErs, viCtor rECorDs inspirED numErous mEn to BEComE Country EntErtAinErs, hE BECAmE known As thE FAthEr oFCountry musiC、
hollywooD’s singing CowBoys won For Country musiC nAtionAl AnD intErnAtionAl AuDiEnCEs During thE lAtEr 1930s.EvEn though rECorD sAlEs For Country AnD othEr typEs oF musiC slippED During thE grEAtDEprEssion, rADio ContinuED to BroADCAst A lArgE ArrAy oF livE Country musiC tAlEnt, usuAlly in thE EArly morning, noon, or lAtE night hours. nEw BArn DAnCEs wErE hEArD on thE AirwAvEs, AnD two oF thE loCAl shows gAinED nEtwork rADio AuDiEnCEs During thE 1930s.
worlD wAr ⅱ ACCElErAtED Country musiC’s growth AwAy From An ExClusivEly southErn AnD rurAl phEnomEnon. southErn sErviCEmEn took thE musiC with thEm to FAr-Flung pArts oF thE nAtion AnD thE worlD, whilE CiviliAn DEFEnsE workErs From thE south Brought thEir lovE oF thE musiC into thE vArious CEntErs oF wAr proDuCtion.
thE postwAr yEArs Brought A nEwFounD nAtionAl prospErity, whiCh BoostED Country musiC to grEAtEr CommErCiAl hEights. singErs AnD BusinEss ExECutivEs ClosEly tiED to thE musiC sought AnD won A nEw rEspECtABility From trADE pApErs AnD nAtionAl mEDiA、thE olD tErms hillBilly AnD mountAin wErE rEplACED By Country, AnD EvEn For A timE By Country AnD wEstErn, in rECognition oF thE nEw populArity oF thE CowBoy singErs on tElEvision.
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A、CommErCiAl oFFshoot oF thE Folk musiC oF thE rurAl south, Country musiC is AnAmEriCAn Art Form thAt gAinED worlDwiDE AppEAl AFtEr worlD wAr ⅱ. originAlly known As hillBilly or mountAin musiC, Country musiC grEw From thE Folk musiC thAt wAs Brought to northAmEriCA ByAnglo-CEltiC sEttlErs in thE 1700s AnD 1800s. thE musiC ChAngED As it CAmE in ContACt with EthniC musiC--ACADiAnCAjun) in louisiAnA, lAtin in thE southwEst,AFriCAn throughout muCh oF thE south--AnD suCh populAr musiC As thAt FounD in vAuDEvillE, minstrEl shows, AnD hAwAiiAn tEnt shows. it wAs Also CAllED Country AnD wEstErn musiC BECAusE oF its populArity with CowBoys.
trADitionAlly Country musiCiAns hAvE BEEn most proFiCiEnt on stringED instrumEnts. thE violin, or FiDDlE, wAs thE most populAr instrumEnt on thE FrontiEr BECAusE oF its EAsy portABility. to this DAy FiDDlE ContEsts rEmAin A FEAturE oF thE Country musiC sCEnE. thE BAnjo wAs ADAptED From thEAFriCAnAmEriCAn CulturE, AnD thE FivE-siring moDEl is now univErsAlly populAr Among pErFormErs oF thE stylE known As BluEgrAss. thE guitAr hAs long BEEn A stAplE oF Country musiC BAnDs AnD singErs. string BAss AnD hAwAiiAn guitAr hAvE BEEn usED sinCE thE 1920s, AnD thEir moDErn DEsCEnDAnts ArE thE ElECtriC BAss AnD thE pEDAl stEEl guitAr.Drums, piAnos, AnD ElECtriFiED instrumEnts, usED As EArly As thE 1930s By wEstErn swing BAnDs, ArE hEArD on Country rECorDings From thE 1950s.
in 1922 rADio stAtions wBAp in Fort worth, tEx. , AnD wsB、inAtlAntA, gA、, BroADCAst shows CAllED BArn DAnCEs, moDElED AFtEr thE inFormAl soCiAl DAnCing oF thE FrontiEr.ChiCAgo’s wls stArtED whAt BECAmE thE nAtionAlBArnDAnCE in 1924, AnD wsm in nAshvillE, tEnn., BEgAn itsBArnDAnCE in novEmBEr 1925, just onE month AFtEr going on thE Air. rECorD CompAniEs Also DisCovErED thE CommErCiAl possiBilitiEs oF this musiC、FiDDlErECkA、C、) roBErtson trAvElED to nEw yorkCity AnD in 1922 mADE thE First hillBilly rECorDs, "ArkAnsAs trAvElEr" AnD "sAlliE gooDin". thE gEorgiA FiDDlEr johnCArson hAD thE First sAlEs suCCEss thE nExt yEAr with his okEh rECorD oF "littlE olD logCABin in thE lAnE".A、tExAs nAtivE who ACtuAlly hAD voiCE trAining AnD light opErA ExpEriEnCE, vErnonDAlhArt (his rEAl nAmE wAs mArion slAughtEr) solD millions oF rECorDs in thE 1920s For DozEns oF DiFFErEnt CompAniEs. his First Big sEllErs wErE "thE prisonEr’s song" AnD "thE wrECk oF thE olD 97" For viCtor in 1924. in 1927 jimmiE roDgErs, originAlly A yoDElEr, mADE his First rECorDings.BECAusE roDgErs, viCtor rECorDs inspirED numErous mEn to BEComE Country EntErtAinErs, hE BECAmE known As thE FAthEr oFCountry musiC、
hollywooD’s singing CowBoys won For Country musiC nAtionAl AnD intErnAtionAl AuDiEnCEs During thE lAtEr 1930s.EvEn though rECorD sAlEs For Country AnD othEr typEs oF musiC slippED During thE grEAtDEprEssion, rADio ContinuED to BroADCAst A lArgE ArrAy oF livE Country musiC tAlEnt, usuAlly in thE EArly morning, noon, or lAtE night hours. nEw BArn DAnCEs wErE hEArD on thE AirwAvEs, AnD two oF thE loCAl shows gAinED nEtwork rADio AuDiEnCEs During thE 1930s.
worlD wAr ⅱ ACCElErAtED Country musiC’s growth AwAy From An ExClusivEly southErn AnD rurAl phEnomEnon. southErn sErviCEmEn took thE musiC with thEm to FAr-Flung pArts oF thE nAtion AnD thE worlD, whilE CiviliAn DEFEnsE workErs From thE south Brought thEir lovE oF thE musiC into thE vArious CEntErs oF wAr proDuCtion.
thE postwAr yEArs Brought A nEwFounD nAtionAl prospErity, whiCh BoostED Country musiC to grEAtEr CommErCiAl hEights. singErs AnD BusinEss ExECutivEs ClosEly tiED to thE musiC sought AnD won A nEw rEspECtABility From trADE pApErs AnD nAtionAl mEDiA、thE olD tErms hillBilly AnD mountAin wErE rEplACED By Country, AnD EvEn For A timE By Country AnD wEstErn, in rECognition oF thE nEw populArity oF thE CowBoy singErs on tElEvision.
【单选题】 Pour____________ ,une candidature à Présidence de la République doit recueillir au moins cinq cent signatures d'élus locaux ou parlementaires.
A．être classée
B．être retenue
C．être démolie
D．être taillée
A．être classée
B．être retenue
C．être démolie
D．être taillée
【单选题】 Under (the certain) conditions, a rainbow appears at the end (of) a (rain shower) (in the quarter) of the sky opposite the Sun.
A．the certain
B．of
C．rain shower
D．in the quarter
A．the certain
B．of
C．rain shower
D．in the quarter
【单选题】 The word "Undoubtedly" in line I is closest in meaning to
A．( occasionally
B．( unexpectedly
C．( previously
D．( certainly
A．( occasionally
B．( unexpectedly
C．( previously
D．( certainly
【单选题】
{$mediaurl} Why does the student go to see his adviser
A．To find out if he can change one of his classes
B．To ask her for a letter of recommendation
C．To check the time of his registration appointment
D．To learn if he still has required courses to take
{$mediaurl} Why does the student go to see his adviser
A．To find out if he can change one of his classes
B．To ask her for a letter of recommendation
C．To check the time of his registration appointment
D．To learn if he still has required courses to take
【单选题】InEarth’’s infancy, its surface was warm enough for life ____ the young Sun was fainter than it is today.
A、in spite of
B．whether
C．neither of which
D．even though
A、in spite of
B．whether
C．neither of which
D．even though
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