考研每日一练(2019/5/10) |
第1题: 在商品社会中,个别劳动转化为社会劳动的标志是 ( ) A.该商品的广告在公共媒体上发布 B.该商品销售出去 C.该商品通过了有关专家的鉴定 D.该商品得到有关机构的推荐 |
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第2题:突然昏厥,喉有痰声,或呕吐涎沫,呼吸气粗,苔白腻,脉沉滑,其治法为
A.和中消导 B.活血顺气 C.开窍醒神 D.行气豁痰 E.顺气开郁 |
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第3题:Half the world’’s population will be speaking or learningEnglish by 2015, researchers say. Two billion people are expected to start learningEnglish within a decade and three billion will speak it,says aBritishCouncil estimate. Other languages, such as French, risk becoming the casualties of this "linguistic globalization".But the boom will be over by 2050 and theEnglish-language teaching industry will have become a victim of its own success, saysDavid Graddol, author of the report, The Future ofEnglish. Mr. Graddol’’s research was based on a computer model developed to estimate demand forEnglish-language teaching around the worl D、The lecturer, who has worked in education and language studies at the Open University for the past 25 years, said the model charted likely student numbers through to 2050. It was compiled by looking at various estimates from the United NationsEducation, Scientific andCultural Organization (Unesco) on education provision, demographic projections, government education policies and international student mobility figures. The impact of educational innovations and other developments affecting the world population including theChinese government’’s policy of one baby per family were also factored in. Based on its findings, Mr. Graddol has predicted that the world is about to be hit by a tidal wave ofEnglish. "Many governments, especially in countries which have relatively recently gained independence, are introducing the teaching ofEnglish under a utilitarian banner." "ButEnglish predominates in the business world, and for such countries to be able to compete for work, including lucrative (profitable) outsourcing contracts,English is being pushed heavily from kindergarten on." The potential bonanza (source of wealth) on offer from outsourcing means even maths and science are being taught inEnglish at secondary schools in Malaysi A、But demand forEnglish teaching would drop as children progress through academia, and more universities across the world choose to teach in the language. Mr. Graddol also estimated that the boom would be over by 2050. "English-language students will be down from two billion to 500 million then," he said," Increasingly, asEnglish spread across the globe,more people will become bilingual, even multi-lingual and such skills are highly prized in business.ButBritain has not got the best reputation for learning other languages." The report also showed thatEnglish was not the only language spreading, and the world, far from being dominated byEnglish, was to become more multi-lingual. Mr. Graddol said,"Chinese,Arabic and Spanish are all popular, and likely to be languages of the future." According to the text,"linguistic globalization" will A、eliminate French from the globe. B.defeat otherEuropean languages. C、fail all languages exceptEnglish. D、makeEnglish the biggest winner. |
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第4题:
B.handled C.touched D.managed | |
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第5题:肺通气的动力来自
A.肺组织的舒缩引起的肺内压变化所致 B.肋间内肌的舒缩活动 C.呼吸肌的舒缩引起肺内压变化所致 D.肺泡表面活性物质增加的顺应性作用 E.肺内压和胸内压之差 |
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第6题:八旗制度与其他地方行政制度的最大不同点是______。 A.职能 B.所起作用 C.实施的民族 D.实施的时间 |
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第7题:下列哪项不是吴茱萸汤的主治证()
A.胃中虚寒,浊阴上逆 B.肝寒犯胃,浊阴上逆 C.肝胃虚寒,浊阴上逆 D.少阴虚寒吐利 |
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第8题: 本题为必选题,请在Ⅰ、Ⅱ两道试题中选取一道作答。
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第9题: The issue ______at the conference is very important and it will create a sensation nationwide. A.discussed B.being discussed C.is being discussed D.has been discussed |
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第10题:Among the many other things it is, a portrait is always a record of the personal and artistic encounter that produced it. It is possible for artists to produce portraits of individuals who have not sat for them, but the portrait that finally emerges normally betrays the restrictions under which the artist has been forced to labor.Even when an artist’’s portrait is simply a copy of someone else’’s work-as in the many portraits of QueenElizabeth I that were produced during her lifetime-the never-changing features of a ruler who refused to sit for her court painters reflect not only the supposed powers of an ever-youthful queen but the remoteness of those attempting to depict her as well. Portraits are "occasional" not only in the sense that they are closely tied to particular events in the lives of their subjects but in the sense that there is usually an occasion-however brief, uncomfortable, artificial, or unsatisfactory it may prove to be-in which the artist and subject directly confront each other;and thus the encounter a portrait records is most really the sitting itself. The sitting may be brief or extended, collegial or confrontational.Cartier-Bresson has expressed his passion for portrait photography by characterizing it as "a duel without rules". WhileCartier-Bresson reveals himself as an interloper and opportunist, RichardAvedon confesses to a role as diagnostician and psychic healer: not as someone who necessarily transforms his subjects, but as someone who reveals their essential nature.Both photographers appear to agree on one basis, however, which is that the fundamental dynamic in this process lies squarely in the hands of the artist. A、quite-different example has its roots not in confrontation or consultation but in active collaboration between the artist and sitter. This very different kind of relationship was formulated most vividly by William Hazlitt in his essay entitled "On Sitting for One’’s Picture". To Hazlitt, the "bond of connection" between painter and sitter is most like the relationship between two lovers: "They are always thinking and talking of the same thing, in which their self love finds an equal counterpart." Hazlitt flashes out his thesis by recounting particular episodes from the career of Sir Joshua Reynolds.According to Hazlitt, Reynolds’’ sitters, accompanied by their friends, were meant to enjoy an atmosphere that was both comfortable for them and conductive to the enterprise of the portrait painter, who was simultaneously their host and their contractual employee. In the case of artists like Reynolds, no fundamental difference exists between the artist’’s studio and all those other rooms in which the sitters spin out the days of their lives. The act of entering Reynolds’’ studio did not necessarily transform those who sat for him.Collaboration in portraiture such as Reynolds’’ is based on the sitter’’s comfort and security as well as on his or her desire to experiment with something new, and it is in this "creation of another self", as Hazlitt put it, that the painter’’s subjects may properly see themselves for the first time.The author quotesCartier-Bresson in order to A、refuteAvedon’’s conception about a portrait sitting. B、provide one perspective of the portraiture encounter. C.exemplify time restriction of the sitting for portraiture. D.support the thesis on the uncertainty of a collegial sitting |
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