考研习题练习
| 考研每日一练（2019/7/4） |
第1题： |
| 【分析题】： |
| 第2题：资产阶级共和国的方案之所以行不通的原因是() A．力量过于软弱 B．没有勇气和能力去领导人民进行彻底反帝反封建的革命斗争 C．提不出彻底的土地革命的纲领 D．不敢进行革命的武装斗争 |
| 【多选题】： |
| 第3题：Which of the following would be the best title for this passage
A．"A、RedundantAgency to be Split." B．"Upset with the INS --No." C．"Merging INS withCustoms" D．"Inept INS--under Fire." |
| 【单选题】： |
| 第4题：Extraordinary creative activity has been characterized as revolutionary, flying in the face of what is established and producing not what is acceptable but what will become accepteD、According to this formulation, highly creative activity transcends the limits of an existing form and establishes a new principle of organization. However, the idea that extraordinary creativity transcends established limits is misleading when it is applied to the arts, even though it may be valid for the science;Differences between highly creative art and highly creative science arise in part from a difference in their goal. For the sciences, a new theory is the goal and end result of the creative act. Innovative science produces new propositions in terms of which diverse phenomena can be related to one another in more coherent ways. Such phenomena as a brilliant diamond or a nesting bird are relegated to the role of date, serving as the means for formulating or testing a new theory. The goal of highly creative art is different: the phenomenon itself becomes the direct product of the creative act. Shakespeare’s Hamlet is not a tract about the behavior of indecisive princes or the uses of political power, nor is Picasso’s painting Guernica primarily a prepositional statement about the SpanishCivil War or the evils of fascism. What ’highly creative activity produces is not a new generalization that ’transcends established limits, but rather an aesthetic particular.Aesthetic particulars produced by the highly creative artist extend or exploit, rather than transcend that form. This is not to deny that a highly creative artist sometimes establishes a new principle of organization in the history of an artistic field; the composer Monteverdi, who created music of the highest aesthetic value, comes to minD、More generally, however, whether or not a composition establishes a new principle in the history of music has no bearing on its aesthetic worth.Because they embody a new principle of organization, some musical works, such as the operas of the FlorentineCamerata, are of signal historical importance, but few listeners or musicologists would include these among the great works of musiC、On the other hand, Mozart’s The Marriage of Figaro(费加罗的婚礼) is surely among the masterpiece of music even though its modest innovations are confined to extending existing means. It has been said ofBeethoven that he toppled the rules and freed music from the stifling confines of convention.But a close study of his composition reveals thatBeethoven overturned no fundamental rules. Rather, he was an incomparable strategist who exploited limits of the rules, forms, and conventions that he inherited from predecessors such as Haydn and Mozart, Handel andBach—in strikingly original ways. According to the author, distinctions between those engaged in the creative arts and in natural sciences can in part be explained by ______. A、the different objectives of those involved in these respective pursuits B．the different methods they employ in the collection of data to support their theories C．the different ways in which they attempt to extend accepted conventional forms D．the different principles of organization that they utilize in order to .create new works |
| 【单选题】： |
| 第5题：2007年9月8日，胡锦涛在亚太经合组织第十五次领导人非正式会议上就统筹经济发展和环境保护提出的建议是 A．坚持合作应对 B．坚持可持续发展 C．坚持公约主导地位 D．坚持科技创新 |
| 【多选题】： |
| 第6题：直肠前壁隆起，波动感(+)，有压痛的是
A．盆腔脓肿 B．坐骨肛管间隙脓肿 C．骨盆直肠间隙脓肿 D．直肠后间隙脓肿 |
| 【单选题】： |
| 第7题：The United States is usually given credit for creating and developing the musical comedy as it is known today. The first musical shows were based (1) everydayAmerican life and the (2) development of the form took place in the United States for more than half a century. (3) the early 1970s, (4) , the London theater has (5) theBroadway stage. TheBlackCrook, which opened at Niblo’s Garden in New YorkCity on Sept. 12, 1866, is usually (6) as the inspiration for musical comedy.A、troupe of French ballet dancers (7) to be stranded in New York without work (8) a fire damaged the theater (9) they had been bookeD、In order to keep a (10) to them, the theater producer put the dancers into a melodrama written byCharles M.Barres. The first stage production that was (11) a musical comedy was a show that was (12) from the Prince of Wales Theater to the Gaiety Theater in London in 1892. Staged by GeorgeEdwards, the show called In Town featured a chorus line of Gaiety Girls. The (13) yearA、Gaiety Girl was equally successful, and a (14) of the show played in New York in the same year. When it was (15) in newspapers, it was designated a musical comedy and regarded as a new (16) of entertainment. It did not take the form long to (17) in the United States.Almost (18) one of the most renowned talents of theAmerican stage went to work on his own musicals. The singer-dancer George M.Cohan staged Little Johnny Jones in 1904.Cohan, (19) own life story was made into the musical George M (1968), also wrote the books, words, and (20) for Forty-five Minutes fromBroadway ( 1906 ), The Little Millionaire ( 1911 ), The Song andDance Man ( 1923 ), andAmericanBorn (1925). A．happened B．took place C．occurred D．started |
| 【单选题】： |
| 第8题：The first great cliche of the Internet was, "Information wants to be free." The notion was that no one should have to pay for "content" words and pictures and stuff like that and, in the friction-free world of cyberspace, no one would have to. The reigning notion today is that the laws of economics are not, after all, suspended in cyberspace like the laws of gravity in outer space.Content needs to be paid for on the Web just as in any other medium.And it probably has to be paid for the same way most other things are paid for. by the people who use it. We tried charging the customers at Slate. It didn’t work. Future experiments may be more successful.But meanwhile, let’s look again at this notion that in every medium except the Internet, people pay for the content they consume. It’s not really true. TV is the most obvious case.A、few weeks ago a producer from "Nightline" contacted Slate while researching a possible show on the crisis of content on the Internet. He wanted to know how on earth we could ever be a going business if we gave away our content for free. I asked how many people pay to watch "Nightline".Answer. none. People pay for their cable or satellite transmission, and they pay for content on HBO, but "Nightline" and other broadcast programs thrive without a penny directly from viewers. There are plenty of differences, of course, and the ability of Web sites to support themselves on advertising is unproven.But "Nightline" itself disproves the notion that giving away content is suicidal. Now, look at magazines. The money that magazine subscribers pay often doesn’t even cover the cost of persuading them to subscribe.A、glossy monthly will happily send out $ 20 of junk mail--sometimes far more to find one subscriber who will pay $12 or $15 for a yearly subscription. Why Partly in the hope that she or he will renew again and again until these costs are covereD、But for many magazines including profitable ones--the average subscriber never pays back the cost of finding, signing and keeping him or her. The magazines need these subscribers in order to sell advertising. Most leading print magazines would happily send you their product for free, if they had any way of knowing (and proving to advertisers) that you read it.Advertisers figure, reasonably, that folks who pay for a magazine are more likely to read it, and maybe see their ad, than those who don’t. So magazines make you pay, even if it costs them more than they get from you. This madcap logic doesn’t apply on the Internet, where advertisers pay only for ads that have definitely appeared in front of someone’s "eyeballs". They can even know exactly how many people have clicked on their ads. So far advertisers have been insufficiently grateful for this advantage.But whether they come around or not, there will never be a need on the Internet to make you pay just to prove that you’re willing. So maybe the Internet’s first great cliche had it exactly backward: Information has been free all along. It’s the Internet that wants to enslave it. The predominant idea of today is that A、information should be free in cyberspace. B、content on the Web should be paid for. C、the laws of economics are not applicable to cyberspace. D、the laws of economics are as outdated as the laws of gravity. |
| 【单选题】： |
| 第9题： 甲状腺次全切除术后，病人出现手足抽搐发作时，最便捷而有效的治疗是 A．静脉注射10%葡萄糖酸钙或氯化钙10～20ml B．口服葡萄糖酸钙或乳酸钙2～4g C．口服维生素D35万～10万U D．口服双氢速变固醇油剂 E．停食肉类、乳品和蛋类食品 |
| 【单选题】： |
| 第10题：属于慢性肉芽肿性炎的疾病是
A．慢性阑尾炎 B．肠阿米巴 C．结核 D．流行性脑膜炎 E．慢性支气管炎 |
| 【单选题】： |