考研每日一练(2019/8/28) |
第1题:![]() |
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第2题: {{B}}Directions:{{/B}} Read the following text.Choose the best word (s) for each numbered blank and markA,B,C、orD、onANSWER SHEET 1.
B.on C.with D.for | |
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第3题:病毒性肝炎病变中,属于渗出病变的是
A.汇管区淋巴细胞增多 B.肝细胞嗜酸性变 C.肝细胞溶解坏死 D.Kupffer细胞肥大、增多 E.小胆管数量增加 |
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第4题:The SupremeCourt’’ s decisions on physician-assisted suicide carry important implications for how medicine seeks to relieve dying patients of pain and suffering.Although it ruled that there is no constitutional right to physician-assisted suicide, theCourt in effect supported the medical principle of "double effect," a centuries-old moral principle holding that an action having two effects―a good one that is intended and a harmful one that is foreseen―is permissible if the actor intends only the good effect.Doctors have used that principle in recent years to justify using high doses of morphine to control terminally iii patients’’ pain, even though increasing dosages will eventually kill the patient. NancyDubler, director of Montefiore MedicalCenter, contends that the principle will shield doctors who" until now have very, very strongly insisted that they could not give patients sufficient medication to control their pain if that might hasten death." GeorgeAnnas, chair of the health law department atBoston University, maintains that, as long as a doctor prescribes a drug for a legitimate medical purpose, the doctor has done nothing illegal even if the patient uses the drug to hasten death. "It’’s like surgery," he says." We don’’t call those deaths homicides because the doctors didn’’t intend to kill their patients, although they risked their death. If you’’re a physician, you can risk your patients’’ suicide as long as you don’’t intend their suicide." On another level, many in the medical community acknowledge that the assisted-suicide debate has been fueled in part by the despair of patients for whom modern medicine has prolonged the physical agony of dying. Just three weeks before theCourt’’s ruling on physician-assisted suicide, the NationalAcademy of Science (NAS) released a two-volume report,ApproachingDeath: ImprovingCare at theEnd of Life. It identifies the undertreatment of pain and the aggressive use of" ineffectual and forced medical procedures that may prolong and even dishonor the period of dying" as the twin problems of end-of-life care. The profession is taking steps to require young doctors to train in hospices, to test knowledge of aggressive pain management therapies, to develop a Medicare billing code for hospital-based care, and to develop new standards for assessing and treating pain at the end of life.Annas says lawyers can play a key role in insisting that these well-meaning medical initiatives translate into better care." Large numbers of physicians seem unconcerned with the pain their patients are needlessly and predictably suffering," to the extent that it constitutes" systematic patient abuse." He says medical licensing boards" must make it clear.., that painful deaths are presumptively ones that are incompetently managed and should result in license suspension."From the first three paragraphs, we learn that A、doctors used to increase drug dosages to control their patients’’ pain. B、it is still illegal for doctors to help the dying end their lives. C.the SupremeCourt strongly opposes physician-assisted suicide. D、patients have no constitutional right to commit suicide. |
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第5题:试述孙中山“权能分治”论,谈谈“权能分治”论对当前我国政治改革的意义。 |
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第6题: 根据文章内容,推断错误的一项是( )。 A.中、美、澳三国电视台在转播奥运会时,对别国运动员的成绩极少报道,这对于各国体育的全面发展是不利的。 B.作者说在澳大利亚,奥运会成了“澳运会”,这是一种否定的说法。 C.作者认为电视奥运转播显露了一种不健康的民族情绪,这种情绪发展下去是危险的。 D.作者认为电视奥运转播应加强对人类的认同,而不是对自己祖国的认同。 |
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第7题:下列不属于眼动基本方式的是()。
A.注视 B.眼跳 C.追随运动 D.眨眼 |
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第8题:人的个体从出生到成熟再到衰老整个生命历程中的心理发展是() A.个体心理发展 B、社会心理发展 C.心理的种族发展 D、心理的种系发展 |
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第9题:结合中国历史,下列说法全部不正确的是( )。 ①在五四运动中起先锋作用的是青年学生 ②我国境内江南地区迄今发现的最早的新石器文化遗址是仰韶文化遗址 ③在铭文中明确记载周武王伐商这一重大历史事件的青铜器是毛公鼎 ④李大钊《法俄革命之比较观》、《庶民的胜利》、《布尔什维主义的胜利》、《我的马克思主义观》揭开了我国马克思主义宣传的第一页 ⑤传说中进行“绝地天通”的氏族首领是颛项 ⑥猿人制造的工具主要是稍加敲击的石器和木棒,考古学上把使用这种工具的时代称为旧石器时代 A.①③⑤ B.②③④ C.①②③ D.①④⑤ |
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第10题:(46) That Louise Nevelson is believed by many critics to be the greatest twentieth-century sculptor is all the more remarkable because the greatest resistance to women artists has been, until recently, in the field of sculpture. Since Neolithic times, sculpture has been considered the prerogative of men, partly, perhaps, for purely physical reasons: it was erroneously assumed that women were not suited for the hard manual labor required in sculpting stone, carving wood, or working in metal. (47)It has been only during the twentieth century that women sculptors have been recognized as major artists, and it has been in the United States, especially since the decades of the fifties and sixties, that women sculptors have shown the greatest originality and creative power. Their rise to prominence parallels the development of sculpture itself in the United States: (48)while there had been a few talented sculptors in the United States before the 1940’s, it was only after 1945—when New York was rapidly becoming the art capital of the world—that major sculpture was produced in the United States. Some of the best was the work of women. By far the most outstanding of these women is Louise Nevelson, who in the eyes of many critics is the most original female artist alive today. One famous and influential critic, Hilton Kramer, said of her work, "For myself, I think Ms. Nevelson succeeds where the painters often fail." Her works have been compared to theCubist constructions of Picasso, the Surrealistic objects of Miro, and the Merzbau of Schwitters. (49) Nevelson would be the first to admit that she has been influenced by all of these, as well as byAfrican sculpture, and by NativeAmerican and pre-Columbian art, but she has absorbed all these influences and still created a distinctive art that expresses the urban landscape and the aesthetic sensibility of the twentieth century. Nevelson says, "I have always wanted to show the world that art is everywhere, except that it has to pass through a creative minD、" (50) Using mostly discarded wooden objects like broken pieces of furniture and abandoned architectural ornaments, all of which she has hoarded for years, she assembles architectural constructions of great beauty and power.Creating very freely with no sketches, she glues and nails objects together, paints them black, or more rarely white or gold, and places them in boxes. These assemblages, walls, even entire environments create a mysterious, almost awe-inspiring atmosphere.Although she has denied any symbolic or religious intent in her works, their three-dimensional grandeur and even their titles, such as SkyCathedral and NightCathedral, suggest such connotations. In some ways, her most ambitious works are closer to architecture than to traditional sculpture, but then neither Louise Nevelson nor her art fits into any neat category. |
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