【单选题】当动脉血压骤降时可引起
A.窦神经、主动脉神经传入冲动增加,心交感神经紧张性增加
B.窦神经、主动脉神经传入冲动减少,心迷走神经紧张性增加
C.窦神经、主动脉神经传入冲动增加,心迷走神经紧张性增加
D.窦神经、主动脉神经传入冲动减少,心交感神经传出冲动增加
E.窦神经、主动脉神经传入冲动增加,心迷走神经传出冲动减少
A.窦神经、主动脉神经传入冲动增加,心交感神经紧张性增加
B.窦神经、主动脉神经传入冲动减少,心迷走神经紧张性增加
C.窦神经、主动脉神经传入冲动增加,心迷走神经紧张性增加
D.窦神经、主动脉神经传入冲动减少,心交感神经传出冲动增加
E.窦神经、主动脉神经传入冲动增加,心迷走神经传出冲动减少
【单选题】下列表述中,正确的说法是 ( )。
A.村民委员会主任甲利用职务之便侵吞救济款物,构成贪污罪
B.普通公民乙利用受聘担任国有公司经理职务的便利条件,侵吞国有财物,不构成贪污罪
C.国家工作人员丙利用职务上的便利向他人索取财物,但未为他人谋取利益,不构成受贿罪
D.丁采用暴力方法阻碍国家机关工作人员执行公务,并致使该工作人员重伤,以妨害公务罪从重处罚
A.村民委员会主任甲利用职务之便侵吞救济款物,构成贪污罪
B.普通公民乙利用受聘担任国有公司经理职务的便利条件,侵吞国有财物,不构成贪污罪
C.国家工作人员丙利用职务上的便利向他人索取财物,但未为他人谋取利益,不构成受贿罪
D.丁采用暴力方法阻碍国家机关工作人员执行公务,并致使该工作人员重伤,以妨害公务罪从重处罚
【单选题】piCturE-tAking is A tEChniquE Both For rEFlECting thE oBjECtivE worlD AnD For ExprEssing thE singulAr sElF. photogrAphs DEpiCt oBjECtivE rEAlitiEs thAt AlrEADy Exist, though only thE CAmErA CAn DisClosE thEm.AnD thEy DEpiCt An inDiviDuAl photogrAphEr’s tEmpErAmEnt, DisCovEring itsElF through thE CAmErA’s Cropping oF rEAlity. thAt is, photogrAphy hAs two DirECtly oppositE iDEAls: in thE First, photogrAphy is ABout thE worlD AnD thE photogrAphEr is A mErE oBsErvEr who Counts For littlE; But in thE sEConD, photogrAphy is thE instrumEnt oF FEArlEssnEss, quEsting suBjECtivity AnD thE photogrAphEr is All.
thEsE ConFliCting iDEAls ArisE From unEAsinEss on thE pArt oF Both photogrAphErs AnD viEwErs oF photogrAphs towArD thE AggrEssivE ComponEnt in "tAking" A piCturE.ACCorDingly, thE iDEAl oF A photogrAphEr As oBsErvEr is AttrACting BECAusE it impliCitly DEniEs thAt piCturE-tAking is An AggrEssivE ACt. thE issuE, oF CoursE, is not so ClEAr-Cut. whAt photogrAphErs Do CAnnot BE ChArACtErizED As simply prEDAtory or As simply, AnD EssEntiAlly, BEnEvolEnt.As A ConsEquEnCE, onE iDEAl oF piCturE-tAking or thE othEr is AlwAys BEing rEDisCovErED AnD ChAmpionED、
An importAnt rEsult oF thE CoExistEnCE oF thEsE two iDEAls is A rECurrEnt AmBivAlEnCE towArD photogrAphy’s mEAns. whAtEvEr ArE thE ClAims thAt photogrAphy might mAkE to BE A Form oF pErsonAl ExprEssion just likE pAinting, its originAlity is ClosEly linkED to thE powEr oF A mAChinE. thE stEADy growth oF thEsE powErs hAs mADE possiBlE thE ExtrAorDinAry inFormAtivEnEss AnD imAginAtivE FormAl BEAuty oF mAny photogrAphs, likE hArolDEDgErton’s high-spEED photogrAphs oF A BullEt hitting its tArgEt or oF thE swirls AnD EDDiEs oF A tEnnis strokE.But As CAmErAs BEComE morE sophistiCAtED, morE AutomAtED, somE photogrAphErs ArE tEmptED to DisArm thEmsElvEs or to suggEst thAt thEy ArE not rEAlly ArmED, prEFErring to suBmit thEmsElvEs to thE limit imposED By prE-moDErn CAmErA tEChnology BECAusE A CruDEr, lEss high-powErED mAChinE is thought to givE morE intErEsting or EmotivE rEsults, to lEAvE morE room For CrEAtivE ACCiDEnt. For ExAmplE, it hAs BEEn virtuAlly A point oF honor For mAny photogrAphErs, inCluDing wAlkErEvAns AnDCArtiErBrEsson, to rEFusE to usE moDErn EquipmEnt. thEsE photogrAphErs hAvE ComE to DouBt thE vAluE oF thE CAmErA As An instrumEnt oF "FAst sEEing".CArtiErBrEsson, in FACt, ClAims thAt thE moDErn CAmErA mAy sEE too FAst.
this AmBivAlEnCE towArD photogrAphiC mEAns DEtErminEs trEnDs in tAstE. thE Cult oF thE FuturE (oF FAstEr AnD FAstEr sEEing) AltErnAtEs ovEr timE with thE wish to rEturn to A purEr pAst whEn imAgEs hAD A hAnDmADE quAlity. this longing For somE primitivE stAtE oF thE photogrAphiC EntErprisE is CurrEntly wiDEsprEAD AnD unDErliEs thE prEsEnt-DAy EnthusiAsm For DAguErrEotypEs AnD thE work oF ForgottEn ninEtEEnth-CEntury provinCiAl photogrAphErs. photogrAphErs AnD viEwErs oF photogrAphs, it sEEms, nEED pErioDiCAlly to rEsist thEir own knowingnEss. (451 worDs)
notEs: Crop vt.播种,修剪(树木),收割。Count For littlE 无关紧要。prEDAtory 掠夺成性的。ChAmpion n.冠军; vt.支持。BEnEvolEnt 好心肠的,行善的。AmBivAlEnCE 矛盾心理。mAkE (+不定式)似乎要:hE mAkEs to BEgin. (他似乎要开始了。) swirls AnD EDDiEs 漩涡。Cult 狂热崇拜。DAguErrEotypE 银板照相法。
thE Author is primArily ConCErnED with
A、DEsCriBing how photogrAphErs’ inDiviDuAl tEmpErAmEnts ArE rEFlECtED in thEir work.
B.EstABlishing nEw tEChniCAl stAnDArDs For ContEmporAry photogrAphy.
C、AnAlyzing thE inFluEnCE oF photogrAphiC iDEAls on piCturE-tAking.
D.ExplAining how thE tEChniCAl limitAtions AFFECt photogrAphErs’ work.
thEsE ConFliCting iDEAls ArisE From unEAsinEss on thE pArt oF Both photogrAphErs AnD viEwErs oF photogrAphs towArD thE AggrEssivE ComponEnt in "tAking" A piCturE.ACCorDingly, thE iDEAl oF A photogrAphEr As oBsErvEr is AttrACting BECAusE it impliCitly DEniEs thAt piCturE-tAking is An AggrEssivE ACt. thE issuE, oF CoursE, is not so ClEAr-Cut. whAt photogrAphErs Do CAnnot BE ChArACtErizED As simply prEDAtory or As simply, AnD EssEntiAlly, BEnEvolEnt.As A ConsEquEnCE, onE iDEAl oF piCturE-tAking or thE othEr is AlwAys BEing rEDisCovErED AnD ChAmpionED、
An importAnt rEsult oF thE CoExistEnCE oF thEsE two iDEAls is A rECurrEnt AmBivAlEnCE towArD photogrAphy’s mEAns. whAtEvEr ArE thE ClAims thAt photogrAphy might mAkE to BE A Form oF pErsonAl ExprEssion just likE pAinting, its originAlity is ClosEly linkED to thE powEr oF A mAChinE. thE stEADy growth oF thEsE powErs hAs mADE possiBlE thE ExtrAorDinAry inFormAtivEnEss AnD imAginAtivE FormAl BEAuty oF mAny photogrAphs, likE hArolDEDgErton’s high-spEED photogrAphs oF A BullEt hitting its tArgEt or oF thE swirls AnD EDDiEs oF A tEnnis strokE.But As CAmErAs BEComE morE sophistiCAtED, morE AutomAtED, somE photogrAphErs ArE tEmptED to DisArm thEmsElvEs or to suggEst thAt thEy ArE not rEAlly ArmED, prEFErring to suBmit thEmsElvEs to thE limit imposED By prE-moDErn CAmErA tEChnology BECAusE A CruDEr, lEss high-powErED mAChinE is thought to givE morE intErEsting or EmotivE rEsults, to lEAvE morE room For CrEAtivE ACCiDEnt. For ExAmplE, it hAs BEEn virtuAlly A point oF honor For mAny photogrAphErs, inCluDing wAlkErEvAns AnDCArtiErBrEsson, to rEFusE to usE moDErn EquipmEnt. thEsE photogrAphErs hAvE ComE to DouBt thE vAluE oF thE CAmErA As An instrumEnt oF "FAst sEEing".CArtiErBrEsson, in FACt, ClAims thAt thE moDErn CAmErA mAy sEE too FAst.
this AmBivAlEnCE towArD photogrAphiC mEAns DEtErminEs trEnDs in tAstE. thE Cult oF thE FuturE (oF FAstEr AnD FAstEr sEEing) AltErnAtEs ovEr timE with thE wish to rEturn to A purEr pAst whEn imAgEs hAD A hAnDmADE quAlity. this longing For somE primitivE stAtE oF thE photogrAphiC EntErprisE is CurrEntly wiDEsprEAD AnD unDErliEs thE prEsEnt-DAy EnthusiAsm For DAguErrEotypEs AnD thE work oF ForgottEn ninEtEEnth-CEntury provinCiAl photogrAphErs. photogrAphErs AnD viEwErs oF photogrAphs, it sEEms, nEED pErioDiCAlly to rEsist thEir own knowingnEss. (451 worDs)
notEs: Crop vt.播种,修剪(树木),收割。Count For littlE 无关紧要。prEDAtory 掠夺成性的。ChAmpion n.冠军; vt.支持。BEnEvolEnt 好心肠的,行善的。AmBivAlEnCE 矛盾心理。mAkE (+不定式)似乎要:hE mAkEs to BEgin. (他似乎要开始了。) swirls AnD EDDiEs 漩涡。Cult 狂热崇拜。DAguErrEotypE 银板照相法。
thE Author is primArily ConCErnED with
A、DEsCriBing how photogrAphErs’ inDiviDuAl tEmpErAmEnts ArE rEFlECtED in thEir work.
B.EstABlishing nEw tEChniCAl stAnDArDs For ContEmporAry photogrAphy.
C、AnAlyzing thE inFluEnCE oF photogrAphiC iDEAls on piCturE-tAking.
D.ExplAining how thE tEChniCAl limitAtions AFFECt photogrAphErs’ work.
【单选题】在中国共产党的历史上,最早使用“统一战线”概念的是()
A、毛泽东
B、瞿秋白
C、蔡和森
D、邓中夏
A、毛泽东
B、瞿秋白
C、蔡和森
D、邓中夏
【单选题】下列不属于法律行为的是()
A.法官老李在家中调解邻里纠纷
B.某派出所决定对查某拘留10天
C.15岁的南某偷了一台摄影机
D.江某买盗版光盘的行为
A.法官老李在家中调解邻里纠纷
B.某派出所决定对查某拘留10天
C.15岁的南某偷了一台摄影机
D.江某买盗版光盘的行为
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