1 inDiAn FilmmAkEr sAtyAjit rAy is still rEgArDED By mAny Film CritiCs As onE oF thE worlD’s grEAt DirECtors. rAy’s Films ArE known For thEir CompAssion, honEsty, AnD quiEt Dignity. hisApu trilogy, thrEE Films ABoutBEngAli liFE, wAs hAilED As A nAtionAl EpiC in thE 1950s. thE First Film, pAthEr pAnChAli, is thE story oF ABEngAli FAmily’s noBlE strugglE AgAinst povErty AnD thE hEArtBrEAks oF liFE. it wAs FollowED ByApArAjito, in whiCh thE son oF thE FAmily,Apu, grows to mAnhooD、in thE FinAl Film, thE worlD oFApu, thE young mAn mArriEs, But FAils At his liFE’s AmBitions, AnD thEn, AFtEr losing his wiFE, hE wAnDErs ACross thE Country For sEvErAl yEArs BEForE rEturning homE to ClAim his son.
2 sAtyAjit rAy’s moviEs hAvE nEvEr BEEn vEry populAr in inDiA itsElF, But thosE who ApprECiAtE his unoBtrusivE tEChniquE AnD his CompAssion For his ChArACtErs viEw his Films As A poEtiC rECorD oF inDiAn liFE.
thE thirD Film oF thEApu trilogy DEAls with All oF thE Following thEmEsExCEpt
A、FAilurE At A mAjor goAl
B、loss oF A spousE
C．strugglE AgAinst povErty
D．going homE AFtEr A long ABsEnCE