{{B}}DirECtions: {{/B}}thErE ArE 20 BlAnks in thE Following pAssAgE, AnD For EACh BlAnk thErE ArE 4 ChoiCEs mArkEDA,B,C、AnDD、At thE EnD oF thE pAssAgE. you shoulD ChoosE onE、AnswEr thAt BEst Fits into thE pAssAgE. thEn BlACkEn thE CorrEsponDing lEttEr on thEAnswEr shEEt.

musiC ComEs in mAny Forms; most CountriEs hAvE A stylE oF thEir own. {{u}} (56) {{/u}}thE turn oF thE CEntury whEn jAzz wAs Born,AmEriCA hAD no prominEnt {{u}} (57) {{/u}}oF its own. no onE knows ExACtly whEn jAzz wAs {{u}} (58) {{/u}}, or By whom.But it BEgAn to BE {{u}} (59) {{/u}}in thE EArly 1900s. jAzz isAmEriCA’s ContriBution to {{u}} (60) {{/u}}musiC、in ContrAst to ClAssiCAl musiC, whiCh {{u}} (61) {{/u}}FormAlEuropEAn trADitions, jAzz is spontAnEous AnD FrEE Form. it BuBBlEs with EnErgy, {{u}} (62) {{/u}}thE mooDs, intErEsts, AnD Emotions oF thE pEoplE. in thE 1920s jAzz {{u}} (63) {{/u}}likEAmEriCA, AnD {{u}} (64) {{/u}}it DoEs toDAy. thE {{u}} (65) {{/u}}oF this musiC ArE As intErEsting As thE musiC {{u}} (66) {{/u}}AmEriCAn nEgroEs, or BlACks, As thEy ArE CAllED toDAy, wErE thE jAzz {{u}} (67) {{/u}}thEy wErE Brought to southErn stAtEs {{u}} (68) {{/u}}slAvEs. thEy wErE solD to plAntAtion ownErs AnD ForCED to work long {{u}} (69) {{/u}}whEn A nEgro DiED his FriEnD AnD rElAtivEs {{u}} (70) {{/u}}A proCEssion to CArry thE BoDy to thE CEmEtEry. in nEw orlEAns, A BAnD oFtEn ACCompAniED thE {{u}} (71) {{/u}}on thE wAy to thE CEmE-tEry thE BAnD plAyED slow, solEmn musiC suitED to thE oCCAsion. {{u}} (72) {{/u}}on thE wAy homE thE mooD ChAngED、spirits liFtED、DEAth hAD rEmovED onE oF thEir {{u}} (73) {{/u}}, But thE living wErE glAD to BE AlivE. thE BAnD plAyED {{u}} (74) {{/u}}musiC, improvising (即兴表演) on Both thE hArmony AnD thE mEloDy oF thE tunEs {{u}} (75) {{/u}},At thE FunErAl. this musiC mADE EvEryonE wAnt to DAnCE. it wAs An EArly Form oF jAzz.

A．ClAssiCAl
B．sACrED
C．populAr
D．light